31 May 2012 — Tonje Thilesen

We're taking a short break in our
A Love Letter To FMLY series to give you something a bit different, once again moving back to our Scandinavian roots, this time towards Gothenburg, Sweden.
Immanu El has personally been one of my favourite bands for a few years already — more exactly starting back in 2007, the year when their superb debut album
They'll Come, They Come saw the light of day; a swelling post-rock record with strong, nostalgic atmospheres. Followed up with another two enchanting, but more vocal dominant pieces,
Moen (2009) and their latest one,
In Passage, our handsome Swedish friends dropped by Berlin last week, and were definitely more than happy to play us a song on the riverside of Ostkreuz. "Tunnel" is taken off their second record
Moen — float away below.
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We're taking a short break in our
A Love Letter To FMLY series to give you something a bit different, once again moving back to our Scandinavian roots, this time towards Gothenburg, Sweden.
Immanu El has personally been one of my favourite bands for a few years already — more exactly starting back in 2007, the year when their superb debut album
They'll Come, They Come saw the light of day; a swelling post-rock record with strong, nostalgic atmospheres. Followed up with another two enchanting, but more vocal dominant pieces,
Moen (2009) and their latest one,
In Passage, our handsome Swedish friends dropped by Berlin last week, and were definitely more than happy to play us a song on the riverside of Ostkreuz. "Tunnel" is taken off their second record
Moen — float away below.